He taught maths and walked across Europe, trying to leave his demons behind. As he goes back on tour aged 83, the folk-pop legend explains how he came back to singing

As Art Garfunkel is keen to point out, “I am a singer – there, use that as the title of your article” – but he was never just a singer. “I’ve been an actor. I am a writer,” he continues. “I’ve walked across countries, taken freighters across oceans. I’ve read the dictionary. I’ve read two books a month for 60 years: Darwin, Herodotus, Balzac, Proust, Tolstoy. I’ve taught maths. I have two great kids and I’m a grandfather, but it always does seem to come back to the singing.”

Which is understandable, given that in Simon and Garfunkel (with songwriter Paul Simon) he sold more albums than any other pop duo in history. Garfunkel’s oft-called “angelic” tones powered classic chart-toppers including The Sound of Silence and Bridge Over Troubled Water, and he became a successful solo artist. However, until a year ago, he was hardly singing at all and hadn’t toured since 2019. “I found myself lying on a pillow in a dream state, thinking about the meaning of being alive,” he reveals. “What is my day? What am I supposed to do with myself?”

There’d been no morning sickness, cravings or tiredness. My mum didn’t believe I’d had a baby – even after seeing her on FaceTime

When I was 19, I went to college in Texas, where I met my ­boyfriend Preston. It was 2023 and I had big plans. After ­finishing my degree in criminal justice, I wanted to go to law school. I wasn’t in a rush to get married or have kids. My mum had drilled into me a fear of getting pregnant at a young age. I was on the pill and careful with contraception.

In May 2025, I took a trip to London, returning to campus in August after the summer holidays. I noticed I was slowly gaining weight; by January this year I’d gained 10lb. I put it down to my late-night snacking and lack of exercise.

British Museum, London
The greatest battle ever depicted in art is here at last – and it hurtles along, making your heart pound with its sense of doom and destiny, culminating in fires and corpses on a battlefield full of pathos

It should not work. It should not even exist. Nothing about the Bayeux tapestry makes sense according to any norms of art: its creators couldn’t do proper portraits or pictorial depth or landscapes or any of the sophisticated things we associate with timeless masterpieces. When they depict a church, they have to write what it is: Ecclesia. But these artists – or who knows, perhaps she was a single artist – created something so stupefying and delightful, so abundant in visual thrills, horrors and humour, it beats almost everything else ever painted or carved – let alone embroidered on a strip of linen.

And now here it is, in front of my eyes, close enough to touch if it wasn’t behind a glass screen of such high quality you never catch a reflection. The British Museum’s display of this wonder is perfect. It’s laid out in its case, the length of a gallery, which you reach after some archaeological foreplay involving armour, quotes from chronicles and info screens. Then you see the colours of the tapestry below you from a parapet – russets, greens, yellows – after which you simply start at the beginning and follow the story rightwards. Surrounded by darkness and picked out by finely adjusted lighting, the Bayeux tapestry shines. My only quibble is the ethereal soundtrack – shouldn’t there be drums, oliphants, troubadours?

Tory leader scents Labour weakness on defence spending and declares it’s 2030 or bust

• UK politics live – latest updates

There’s something about Kemi Badenoch making a keynote speech – everything she does comes billed as keynote these days – about defence that makes most normal people a little nervous. Because when Kemi talks about defence, what’s really on her mind is war. Starting one, if possible.

Kemi is never happier than when picking a fight. With herself, if no one else is around. You get the feeling that, left on a desert island she would be dreaming of Apocalypse Now. Flying low over the Mekong delta in a helicopter gunship, the Ride of the Valkyries playing through her earphones while she yelled: “I love the smell of napalm in the morning.”

Amelia Dimoldenberg’s series helped turn YouTube into a world-beating phenomenon. As it bows out, we remember its best bits – from mocking MC Ghetts to that sizzling tension with Billie Eilish and Andrew Garfield

When Amelia Dimoldenberg posted a video to social media this week, telling an unknown companion “we need to talk”, it felt like a monumental announcement was on the horizon. And so it came to pass. Chicken Shop Date, Dimoldenberg’s YouTube series, is coming to an end.

The press release covering the announcement came packed with superlatives. Chicken Shop Date has generated 34m hours of views over the years, and has reached 97% of all countries on the planet. What it didn’t mention is that Chicken Shop Date helped to legitimise YouTube as a platform that has taken on – and perhaps beaten – television. The very fact that the Guardian is covering the end of a YouTube video series in the first place is, in part, down to Chicken Shop Date.

Experts say that the smell comes from a chemical compound called 2-nonenal, and it can show up much earlier than one expects

Last week, my mom complained that she’s starting to smell “like an old person”.

She had grabbed her favorite sweater and draped it over herself at the movie theater. “It smelled like my grandmother,” she said, almost whispering. “I thought someone must have borrowed the jacket. But it was just me.”

Officials said the workers were safely rescued from tunnels that were at a depth of 170 metres

Two people have been pulled out alive from a hydropower tunnel in Nepal nine days after deadly flash floods left them trapped.

The workers were rescued during an ongoing operation at the Trishuli 3A tunnel, a hydropower project in one of the areas worst-affected by last week’s deadly Nepal floods, according to army spokesperson Brig Gen Raja Ram Basnet.

Investigation broadcast by Channel 4 News shows man posing as ‘impermissible donor’ paying for polling that helped Reform

Nigel Farage is facing fresh criticism on the eve of the Reform UK party conference after some of his team were filmed appearing to plot to avoid electoral laws on foreign donations in an undercover investigation broadcast by Channel 4 News.

A group of investigative journalists called Verbatim, founded by the Centre for Climate Reporting, posed as a potential Reform supporter and his wealthy American father, an impermissible donor, who paid for £30,000 of polling commissioned by Reform and which benefited the party.

Troops escort settlers into al-Mughayyir and raze village outside Hebron as ethnic cleansing of West Bank continues

Israelis have shot dead two teenagers in a Palestinian village encircled by settlers, and Israeli troops have razed an entire village outside Hebron, in the latest attacks in a surge of Israeli terror and ethnic cleansing across the occupied West Bank.

The shootings targeted Khalil Abu Alia, 16, who was about to start 11th grade at the al-Mughayyir boys school, and 19-year-old Omar al-Nassan, who graduated from the same institution with top marks this summer.

US tech company has sued London mayor after he prevented it from working with Metropolitan police

Sadiq Khan has agreed for his text messages and emails to be searched as part of a legal battle with Palantir, the high court has been told, after he prevented the US technology company from working with the Metropolitan police.

The London mayor stepped in to block a £50m deal between Palantir and the Met in May, with the artificial intelligence developer suing Khan’s office over the decision.